Tipp No. 100: “Anthropocene” – Amazing Landscape and Industrial Photography by Edward Burtynsky (Canada)

arts, Insights, Kunst, Movie, Nature

It was a tough decision to select examples of EDWARD BURTYNSKY`s brilliant series of landscape and industrial photography.

Well, I would like to introduce the ANTHROPOCENE PROJECT that includes a collection of remarkable photographic insights to you…

“[We] come from nature.…There is an importance to [having] a certain reverence for what nature is because we are connected to it… If we destroy nature, we destroy ourselves.”
– Edward Burtynsky

Phosphor Tailings Point #4
Near Lakeland, Florida / USA 2012

Saw Mills #1,
Lagos / Nigeria 2016
Imperial Valley #4
California, USA 2009
Lithium Mines #1
Salt Flats, Atacama Desert, Chile 2017
Clearcut #2
Palm Oil Plantation, Borneo / Malaysia 2016

THE AESTHETIC OF DESTRUCTION

To talk about “Terraforming” of the Earth by mining, urbanization, indus-trialization, industrialized agriculture, deforestation, etc. that is resulting in a reduction of biodiversity, climate changes, equalized biogeographies etc. is a minimization in my view. Let`s face the truth…it is bare destruction.

EDWARD BURTYNSKY is able to capture moments of heart-breaking beauty even within all this destruction. Sometimes it takes a second till you realize the entire scenario. I think, this smart twist contributes to the feeling of disturbance, his work is leaving.

FINE ARTS TO MAKE THE UNSEEN VISIBLE AND TO RISE AWARENESS

Watching his outstanding landscape photography involuntary leaves you with the impression that our planet is eaten alive — by us.

Deadly injured, covered with open wounds and scars, the Earth still provides us with all resopurces we need to further expand, dominate the creation and grow our population without any rhyme or reason.

Desparation, feeling helpless, and guilty… Let`s begin with changing ourself. I am sure that each one of us knows best where and how he is able to reduce his personal ecological footprint….Right?

BY THE WAY, WHAT IS THE “ANTHROPOCENE”?

Admittedly, I had to look it up….

The Anthropocene is a proposed epoch dating from the commencement of significant human impact on the Earth’s geology and ecosystems, including, but not limited to, anthropogenic climate change. Various different start dates for the Anthropocene have been proposed, ranging from the beginning of the Agricultural Revolution 12,000–15,000 years ago, to as recent as the Trinity test in 1945.
The most recent period of the Anthropocene has been referred to by several authors as the Great Acceleration during which the socioeconomic and earth system trends are increasing dramatically, especially after the Second World War. (wikipedia)

Ähnliches Foto
Anthropocene – The Sinkhole in Guatemala City (image of the ETH Zurich)

ABOUT THE ANTHROPOCENE PROJECT

Another collaboration from Nicholas de Pencier, Edward Burtynsky, and Jennifer Baichwal, The Anthropocene Project is a multimedia exploration of the complex and indelible human signature on the Earth.

Originally conceived as a photographic essay and the third in a trilogy of films including Manufactured Landscapes (2006) and Watermark (2013), the project quickly evolved to include film installations, large-scale Burtynsky High-Resolution Murals enhanced by film extensions, 360° VR short films, and augmented reality installations.

Embracing and developing innovative techniques, the trio embarked on an epic journey around the world (to every continent save Antarctica) to capture the most spectacular evidence of human influence, while taking time to reflect on the deeper meaning of what these profound transformations signify. The result is a collection of experiences that will immerse viewers in the new world of the Anthropocene epoch, delivering a sense of scale, gravity, and impact that both encompasses and moves beyond the scope of conventional screens and prints.

The project includes:

  • a major travelling museum exhibition at the Art Gallery of Ontario and National Gallery of Canada before it will travel to Manifattura di Arti, Sperimentazione e Tecnologia (MAST) in Bologna in Spring 2019;
  • a new release of Edward Burtynsky photographs;
  • a feature documentary film;
  • immersive interactive experiences in augmented and virtual reality;
  • an art book published by Steidl;
  • and a comprehensive educational program.

theanthropocene.org

IN THE NEWS (09th Jan. 2019): ANTHROPOCENE won $100K Rogers Best Canadian Film Award – Congratulations!

ABOUT EDWARD BURTYNSKY

Edward Burtynsky (born February 22, 1955) is Canadian photographer and artist known for his large format photographs of industrial landscapes. His work is housed in more than 60 museums including the Guggenheim Museum, the National Gallery of Canada, the Reina Sofia Museum in Madrid, the Tate Modern in London, the Bibliothèque Nationale, Paris and others.

Burtynsky received his BAA in Photography/ Media Studies from Ryerson University in 1982, and in 1985 founded Toronto Image Works, a darkroom rental facility, custom photo laboratory, digital imaging and new media computer-training centre catering to all levels of Toronto’s art community.

Early exposure to the sites and images of the General Motors plant (the workplace of his father) in his hometown helped to formulate the development of his photographic work. His imagery explores the collective impact we as a species are having on the surface of the planet; an inspection of the human systems we’ve imposed onto natural landscapes. 

Edward Burtynsky won several well-known prices & awards (e.g. Officer of The Order of Canada in 2006) and received several honorary doctorates.

Furthermore, he is an active lecturer on photographic art, who is welcome in various notable galleries, universities and libraries.

His images appear in numerous periodicals each year including Canadian Art, Art in America, The Smithsonian Magazine, Harper’s Magazine, Flash Art, Blind Spot, Art Forum, Saturday Night, National Geographic and the New York Times.

For further details, please feel free to visit his website that contains more galleries of awesome photos, an overview of his publications and EDWARD BURTYNSKY`s event calendar:

https://www.edwardburtynsky.com/

Tipp No. 99: “Perfect Darkness & Haunting Landscapes” – Cinematic Photography by Henri Prestes (Portugal)

arts, Film, Kunst

I was fascinated from HENRI PRESTES`impressive but also expressive cinematic photography from the very first second, I came across it incidentally.

His photos don`t convey only atmosphere, but invite the viewer to create an entire narrative using his individual imagination.
Maybe, this effect is exactly the reason why Henri` s photography is so alarming. It is your very own phantasy based on your personal emotions, assumptions and experiences that will finally create the story, you will see in these mystical scenes.

CAPTURING THE TURNING POINT OF FATE

What did happen and what will happen any moment? This uncertainty and the imposed role as a witness – without having any option to intervene – is disturbing in my view. In his photography, Henri seem to capture the turning point of somebodies fate. The motifs are perfect cliffhangers in my opinion.

Being especially vulnerable, women are supposingly able to dive even deeper into Henri`s haunting scenarios due to their sensitive instincts for dangerous situations.

I guess, all ladies know the feeling “it`s not okay – not really” and the inner alert when e.g. entering an empty parking house with flickering neo lights during night… Well, I think, we should embrace our fears. In any case, they are a helpful early warning system.

ONLY ONE IMAGE TELLS AN ENTIRE THRILLER

However, please enjoy the selection of Henri`s (sur)realistic thrillers below…

ABOUT HENRI PRESTES

Henri Prestes is a photographer and cinematographer from Portugal. His portfolio is full of stunning cinematic pictures are taken in the small, isolated villages in Portugal. Henri takes pictures when the weather is suitable for the kind of mood or atmosphere, usually at night or early morning. His work aims to capture “the melancholy mood of dark eeriness that is often present in isolated places”. Prestes has spent many long nights over the last 2 years creating the work near isolated villages in the most secluded parts of his home country that are often surrounded by dense fog and heavy rain. He only produces the work when the conditions are right as “even the most boring place can look haunting and mysterious with the right weather and light”.

“I seek to create these cinematic moments that are mostly grounded in reality except some detail that doesn’t look quite right, like when you’re having a bad dream, and that hopefully makes the viewer uncomfortable and feeling like something is about to happen.”

Henri Prestes

For further details, please feel free to visit his website: https://henriprestesp.com/

Enquiries: henriprestesp@gmail.com

Exhibitions

2018 Narrative Photography Exhibition, at Downtown Arts Collective Gallery – Orlando, FL /US

2018 Solo Exhibition ‘Perfect Darkness’ at The Printspace gallery – London /UK

2017    Lenz International Photography Festival – Manchester /UK 

Selected features & publications

Featured by Adobe Lightroom

Featured by COLOSSAL

Featured by Lenscratch Fine Art Magazine

Featured by PLAIN Magazine

Featured by Aesthetica Magazine

Featured by Paard Verzameld

Portbox Editorials Interview

Blackbox Magazine Interview (Turkish)

Featured by Ímpresión Revista Magazine

Photogrist

Open Doors

Take Magazine

Feature Shoot

Tipp No. 91: Mystic Landscapes on Iceland – Fine Arts Photography by Mike Reyfman (Ukraine, now: USA)

arts, Kunst, Reisen, Travel

Beyond the cliché of the archaic “Land of Fire & Ice”, Iceland seems to offer space…Space just to be….to be your Self, in my view.

Iceland is definetely a destination to yearn for (Sehnsuchtsort). The well-known landscape photographer Mike Reyfman shares some breath-taking impressions with us.

Only people with a free spirit, a rich soul, an open mind and inner beauty are able to discover and catch these qualities in the outside world by taking pictures.

As an appetizer, let` s have a look at Mike Reyfmans perspective on Icelands landscapes…

Mike Reyfman

ABOUT MIKE REYFMAN

Mike Reyfman is renowned landscape and nature photographer.

He was born in Ukraine and moved to United States in January 2000. Mike has been awarded for his photography in the prestigious international photography competitions. His photographs have been used extensively worldwide in calendars, books, magazines and advertising industry. He has written numerous articles on travel and landscape photography and has been teaching photography for many years.

Mike is the founder of WORLDPHOTOTRAVELS.COM which runs photography workshops around the globe.

His works were exhibited at Smithsonian National Museum of Natural History in Washington DC, the open air exhibition on the prime outdoor places in Moscow and St. Petersburg, travel photography exhibitions at Sheremetyevo and Domodedovo International Airports etc.

In addition, Mike has an experience as photography competition judge and worked as a Jury member at WorldPhoto 2008, Global Arctic Awards 2012 and Patagonia Photo Awards 2017.

“When the great place, right moment, favorable light and sharp eye find each other — the photo is born.”
cit.: Mike Reyfman

For more details, additional galleries and print-outs for sale, please feel free to visit Mike`s website:

http://www.mikereyfman.com/

Tipp No. 89: “Animeyed” – Fine Arts Portrait Photography by Flora Borsi (Hungary)

arts, Kunst
Ähnliches Foto
Ähnliches Foto
Bildergebnis für fine art photography portrait flora borsi
Bildergebnis für fine art photography portrait flora borsi
Ähnliches Foto
Ähnliches Foto
Bildergebnis für fine art photography portrait flora borsi
Bildergebnis für fine art photography portrait flora borsi
Bildergebnis für fine art photography portrait flora borsi

ABOUT THE ARTIST

Flora is a young fine art photographer from Hungary. She uses exquisite photo manipulation to create surreal images that are thematically focused on identity, relationships, emotions and dreams. Her immaculate technique and subtle conceptual 
ideas create beautiful evocations of universal emotions, from lust and desire to despair and loss.Flora at once captures the complex strength and fragility of the human psyche. She expertly visualises dark fantasies and atmospheric dreams, utilising the uncanny and clever metaphor, while unlocking what it means to think, feel, dream and express in the urban world.Her work often features the female body and she plays with hiding and revealing the eyes or face to leave only the feminine form, exploring questions of female representation and the relationship between body and self. 

Flora has exhibited internationally with solo exhibitions in Europe and the USA, and has most notably taken part in the
“Continental Shift” group exhibition at Saatchi Gallery. She has also exhibited at the Louvre, France.
Her ethereal aesthetic has won multiple art prizes and garnered critical acclaim from press including The Guardian’s Observer
and BBC Culture. Her artwork was the face of Adobe Photoshop in 2014.

Her work is offered here:

https://www.saatchiart.com/account/artworks/420895

Tipp No. 85: “Cit.: The Only Truth” Digital Arts & Paintings by Tammam Azzam (Syria, now: Dubai)

arts, Insights, Kunst
Photomontage – Klimts “The Kiss” as graffiti on Syrian ruins
Bon Voyage Series
Syrian LIberty Statue (l-h-s); Bon Voyage Series (r-h-s)

ABOUT THE ARTIST

“Desparation is the Only Truth”

Born in Damascus, Syria in 1980, Tammam Azzam received his artistic training from the Faculty of Fine Arts, University of Damascus with a concentration in oil painting. Alongside a successful career as a painter in Syria, Azzam was a prolific graphic designer, an experience that would inform his digital media work after relocating to Dubai with the start of the country’s conflict.

The initial phase of Azzam’s work was distinguished by a ‘hybrid form’ of painting with applications of various media that allowed him to arrive at tactile interactions between surface and form that multiply as compositions evolve. These semi-abstract works use unconventional materials such as rope, clothespins, and other found objects in order to accentuate the depth, texture, and space of laboured picture planes, creating a visible tension. Although outwardly different in appearance, the series that resulted from these early experiments were inspired by the artist’s changing perceptions of specific urban environments.

Following the start of the uprising in Syria, Azzam turned to digital media and graphic art to create visual composites of the conflict that resonated with international viewers. These widely distributed works are informed by his interest in the interventionist potential of digital photography and street art as powerful and direct forms of protest that are difficult to suppress. In early 2013, Azzam made worldwide headlines when his Freedom Graffiti print went viral on social media.

Recently, he has returned to painting with Storeys, a series of monumental works on canvas that communicate the magnitude of devastation experienced across his native country through expressionist compositions of destroyed cityscapes. Chronicling the current state of his homeland, Azzam delves into a cathartic exercise of reconstruction, storey by storey. Alongside these new paintings, he has produced a significant body of giclée prints and installations that depict the facets of cities through similar themes.

Tipp No. 76: Contemporary Arts by Yee I-Lann (Malaysia)

arts, Kunst, Tipps

ABOUT THE ARTIST

Legends, Ghosts and Feminism

Yee was born in Kota Kinabalu, Sabah, East Malaysia in 1971 to a New Zealander mother and a Sino-Kadazan father, but has always identified herself as strongly Sabahan. Her multicultural upbringing was also marked by studies at the University of South Australia in Adelaide and at the Central Saint Martin’s School of Art in London, United Kingdom. Today, she resides in Kuala Lumpur, where she has established herself as one of the most influential Malaysian artists of her generation.

Yee is known for her multi-layered digital photocollage series that reference history, popular culture, archives and everyday objects. Her oeuvre engages with issues of culture, power and the role of historical memory in social experience, and often focuses on themes and motifs that reference Borneo’s indigenous cultures.

 

Tipp No. 78: “COVER UP” – Modern Arts by Abdullah Al Mutairi (Kuwait, now: USA)

arts, Kunst

ABOUT THE ARTIST

1990 born in Kuwait City, Kuwait, he lives and works between his hometown and the USA. 
Encompassing photography, video and digital media, Abdullah Al Mutairi’s work reflects his interests in identity, gender, religion and technology in the Arabian Gulf as well as the effects of globalisation and corporate or national branding.  

Abdullah Al Mutairi is an artist and founding member of the GCC collective.

He has exhibited at Art Dubai, UAE; Mathaf, Qatar; The Serpentine Gallery, UK; and contributed to Hans-Ulrich Obrist and Simon Castets’ ongoing digital natives project 89plus. The GCC collective’s work has been exhibited at MoMA PS1, Fridericianum, New Museum and the Sultan Gallery, among other institutions.